Unknown Heroes

I’ve already posted about James Joseph Dresnok (he made a cameo in from 5pm to 5am), one of the most notorious members of the US army to walk across the DMZ and essentially defect to North Korea. Another key player in the story of his life, although featured less in the documentary Crossing the Line (2006), is Charles Robert Jenkins.

Unlike Dresnok, Jenkins was not in serious trouble with the army when he decided to desert in the 1960s he was worried about being sent to fight in the Vietnam war. His arrival in the DPRK would be the start of 40 years in the DPRK which he wrote about in his book The Recluctant Communist.

Like Dresnok – and practically every other foreigner in the DPRK at the time he was required to act in movies. Here’s an extract from the book about his experiences working on Nameless Heroes, one of the longest running sagas in North Korean film history.

“I was being ordered to act in a movie. I remember one time I was watching TV in 1978. All TV in North Korea is propaganda… but still, it is there so you watch it. It was a movie about the Korea war… and who was it who popped up on screen? [fellow US defector] Parish, playing the part of a British army officer! I couldn’t believe it. It was an early installment of a multipart movie called Nameless Heroes [the book Korean Film Art gives it the English title Unknown Heroes] that eventually stretched to 20 installments. Well 1980 had rolled around and the Organization intended me to play a new part in Nameless Heroes: the evil Dr. Kelton, a US warmonger and capitalist based in South Korea whose goal in life was to keep the war going and benefit American arms manufacturers. They shaved my head on top since my character was supposed to be balding, and I wore heavily caked makeup. I can still remember my first line. I was talking to Claus, the Seoul CIA station chief (played by the Italian vice dean of the music college in Pyongyang), and I yelled: “You coward! You didn’t keep the secrets! I will personally telephone the representative of the Federal States, Carl Vinson.”

Pulgasari: North Korea’s Godzilla

Undoubtedly the most widely distributed North Korean film outside of its own country, Pulgasari is a rare attempt in North Korean cinema to use themes from the “mainstream”.

Utilizing the talents of Shin Sang-ok, Pulgasari was used talent from China and Japan to recreate the old Korean myth of a village who construct a monster to defend them from attacking hoards. Kind of like Seven Samurai but with a giant metal-eating monster made out of rice instead of… seven samurai.

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DPRK Film Database

It’s by no means a complete list, but compared to the rather basic lists offered by IMDb and Wikipedia, I’ve put together the most comprehensive list of North Korean films that I am aware of.

Using several books such as Korean Film Art and Contemporary Korean Cinema and a number of other website, the list is intended as a reference that can continue to be updated.

Film years, Korean names and correct romanization of Korean names are the biggest weaknesses of this list, so if you have any updates/additions you want to make, please email me at dprkfilms@gmail.com. A permanent link to the database will be always be at the top of the site and also here.